最好的老师 1年后、我被学生了

凤来高中3年D班的班主任九条里奈，是放弃贴近时代、贴近学生的化学教师。毕业典礼那天被“班里的某个学生”推下去，然后时光倒流，站在讲台上，眼前看到的是一年后杀害自己的“30名嫌疑人”。她下定“决心”，颠覆教室、人生，冒着生命危险挑战面对学生。

继父

在名叫波特兰的小镇，单身母亲苏珊·哈丁（雪拉·渥德 Sela Ward 饰）和一双儿女肖恩（Braeden Lemasters 饰）、贝丝（Skyler Samuels 饰）共同生活在一起，其长子迈克尔（佩恩·拜德格雷 Penn Badgley 饰）则在外地的军校求学。某日，苏珊在超市遇见了名叫大卫·哈里斯（迪伦·沃尔什 Dylan Walsh 饰）的单身男子。大卫举止得当、言语风趣，俨然一个完美的居家好男人。两人相见恨晚，只有半年便到了谈婚论家的地步。哈丁一家对大卫颇为满意，独有迈克尔似乎心存顾忌。 他的顾忌不是没有道理。经过一段时间相处，迈克尔发现大卫温柔开朗的外表背后似乎隐藏着黑暗恐怖的一面，他试着调查大卫的一切，然而这也许为时已晚……©豆瓣

金刚瓢娃

以马太萌为首的超能七人组，在天庭驻京办的李主任整合下学会控制使用自己的异能，然后打败正在利用噬心种子的传教试图毁灭人类的殷基传教授然而这之后更有一只更可怕的黑手在操纵着一切，当马太萌等人前去解决殷基传教授的时候，才发现越来凶手竟是。。。事情开始变得扑朔迷离，其他五人都被抓走。连马太萌的真爱沈小莫也中了噬心种子他终于挺身而出，拯救了所有人！

给我钱第二季

内详

红色幽灵

1941年12月30日。“维亚济马”是一小队苏联士兵，在致命的巧合下，与德国国防军的一支特殊部队发生了不平等的战斗。然而，他们没有一个人想到要放弃。他们每个人都准备牺牲自己的生命，保护自己的家乡。这些勇敢的人中没有一个是天生的英雄。红色幽灵的神话是一个没有士兵的英雄事迹，而代之的是另一位死去的英雄，而诞生了苏联士兵不可战胜的神话。

最遗憾是错过你

　　如果再想起青春里那个爱过、痛过的人，你还会有遗憾吗？当热情阳光的黄子捷（连晨翔 饰）遇见单纯善良的张筱华（吴子霏 饰），从一开始的互不打扰，到两个人慢慢互相了解、难掩心动，爱情的火花慢慢绽放，但命运的齿轮也仍在向前……世上最遗憾的不是不爱了，而是明明相爱却无能为力，错过一辆车可以等，但错过一个人，就是一辈子。

朝鲜精神科医师刘世丰 第二季

苏禄国王与中国皇帝

经过连年征伐，一代帝王明成祖朱棣（王心刚 饰）御驾亲征，平定西北，所向披靡。班师回朝途中，朱棣途中否决了锦衣卫指挥使纪纲荡平南洋十五国的建议，决定休养生息，与民为安。他遵从先帝的教诲，打算遣使修好。适逢此前苏禄国王（维克 饰）有意亲自来上邦朝见。与此同时，苏禄国正在修造大船，准备如期出航，谁知部落酋长阿尤布心怀不轨，事事掣肘。国王不为所动，排除万难带着王子向中国前进。历经千难万险，苏禄使团终于抵达中国。　　只不过世代和好的道路上还有许多的考验，两个一国之君将携手守护那来之不易的友谊与和平……

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

抓痒神探

为了找出“西城学院”因校园小树林诅咒而失踪的校花，众人发挥所长，想尽各种办法破解树林诅咒的传说，为了寻找出校花失踪的原因，由刘倩妏饰演的精明女孩，透过灵敏的思维，发现隐藏在诅咒背后的巨大秘密，究竟她的精明是福是祸，会不会为她带来意想不到的危机呢？

布列斯特·顽强的英雄

高山下的花环

驻扎在四川广元的九连长梁三喜（吕晓禾 饰）为了从军政治部调来的指导员赵蒙生（唐国强 饰）推迟了探亲假，可出身高干家庭吃不了苦的蒙生打算只干几个月就走。1979年，赵母吴爽（刘燕生 饰）得知蒙生部队将要赴越作战，加紧督办调动之事。耿直的炮排长靳开来（何伟 饰）听说后火冒三丈，扬言要自费上北京告状。部队开赴云南边境，吴爽孤注一掷请求军长雷震（童超 饰）将蒙生调回后方……