英超第9轮 谢菲尔德联vs曼联

暂无简介

哥伦布传

500年前，充满迷信色彩的西班牙，认为海洋的尽头有魔鬼守侯著，只有航海家哥伦布坚信，海洋的尽头是一片新土地，几经辛苦说服女皇资助冒险旅程的他终于发现新大陆，可惜贵族们都视这土地为猪肉，只有他愿意维持乐土的自然纯朴，终被奸人排拆，究竟现实与梦想的距离，会否动摇这位梦想家的坚持呢？ -幕后花絮 影片描写的是著名航海家哥伦布的航海故事，重点刻画的是哥伦布的社会性。以其子费尔南多的回忆的形式，对其颠沛流离的一生进行了追述。通过影片我们可以看到，作为一名航海冒险家，哥伦布绝对是成功的伟人；但若将他视作一个普通人，他又是一个可叹的失败者。影片生动地再现了哥伦布丰富多彩的社会生活经历，他那富有理想的心智和勇敢无畏的精神，还有那粗暴蛮横的坏脾气和贪婪攫取的性格。

了不起！舞社

优酷全国首档女子齐舞舞社选拔真人秀《#了不起的舞社#》【顶级阵容吸睛】《这就是街舞》TOP舞者加盟担任单人训练师,国内TOP街舞团体担任舞团训练师【硬核赛制】最强舞社领队&最佳齐舞作品&MVP编舞师,最终胜出舞团代表中国出征世界齐舞挑战赛【高燃舞台】这里不仅有让人心跳加速的齐舞表演,更有让人热泪盈眶的女子力量

美女上演绝地逃生#杀出僵尸镇

假期到来，就读于路易斯安那州立大学的戴维（理查德·考恩克RichardKohnke饰）、泰勒（凯拉·埃维尔KaylaEwell饰）、布莱斯（艾斯利·布莱恩AshleeBrian饰）、诺美（布瑞特妮·埃尔格BrittneyAlger饰）和莎莉（沙拉·巴特勒SarahButler饰）相约来到公子哥同学霍华德（迈克·韦尔什MichaelWelch饰）家的豪华别墅度假。正当他们沉浸在无上的快乐中时，突然得知导弹向美国本土袭来的惊人消息。在危机当前，几名青年经过讨论决定暂时留在别墅中，相机而动。未及，一枚导弹在附近炸毁，危机似乎就此结束。但是新的危险随之到来，周围好像一夜之间变成恐怖丧尸的世界。大批丧失人性、嗜血如命的活死人接二连三向年轻人们袭来，死神露出狰狞的笑容……

七岁小孩为了能出名，竟然在光天化日之下暴打FBL#科拉尔金矿

背景是80年代初，科拉尔金矿故事中的第一章，再现了以主人公为中心，领导的一场反对压迫者的战斗。

开局一座山

开局一座山寨，两个人口（军师，马夫），将要打造最强山寨。他穿越到乱世，拥有一座马上要散伙的山寨。面对这杀戮乱世，是打算抢钱抢粮抢婆娘做一个逍遥山大王，还是泼出这身男儿血，交锋世上英雄，搏一个名震古今，问一声：王侯将相，宁有种乎！

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

斯诺克天津国锦赛第一轮第二轮 傅家俊6-0林杉峰 20231105

一见钟情

被丈夫遗弃的Ellen（张曼玉）与玩世不恭的网络公司创办人Mike（黎明饰）在美国旧金山一见钟情，开始了一段爱情攻防战争。

谁的青春不热血

海边小镇上两代人的青春与梦想。

22-23赛季西甲第10轮 塞维利亚VS瓦伦西亚

10月19日 22-23赛季西甲第10轮 塞维利亚VS瓦伦西亚

猿人星球：为地球而战

本系列片分两集，向我们展示了我们的祖先智人，如何在与直立人和尼安德特人的生存竞争中取得成功的过程。在并不遥远的过去，人类的祖先是与其他原始人类物种共同生活在地球上的。本系列节目将向观众展示人类克服巨大困难，最终得以幸存的全过程。