带着未来记忆回到1993年的商界天才林小凡一路开挂逆袭白手起家，在食品业完成原始积累后进军电子业，老对手陈远贼心不死，培养商界新星柳元庆再度交锋，林小凡不仅遭遇对手狙击，外资围剿，还卷入了1995年的民族工业保卫战。
自有人类以来，“污秽”就不断的现身骚扰着人世间的安稳和宁静，为了对抗污秽，一群名为“阴阳师”的人们勇敢的站了出来，加入到了战斗之中，用他们的智慧和勇气守护着人类。少年焰魔堂辘轳（花江夏树配音）立志要成为史上最强阴阳师，却因为一场悲剧的发生而意识到灾难的不可逆转，遂放弃了理想，沦为路人。某日，一位名叫化野红绪（潘惠美配音）的京都少女出现在了辘轳的身边，两人在误打误撞之中开始了同居生活。红绪铲除污秽的决心渐渐感化了辘轳，让他再度看到了希望，燃起了热血。与此同时，辘轳发现，红绪的哥哥石镜悠斗（村濑步配音）和当年令自己失去一切的灾难有着千丝万缕的关联。
VanJohnsonplaysablindAmericanwriterwhoisrentinganapartmentonBakerStreetwhileinLondonfortheopeningofhisnewplay.Afterarowwithhisformerfiancée(VeraMiles),hedecampstothelocalpubtodrownhisself-pitywithadrink.There,hisacutehearingpicksuphushedsnatchesofconversationfromthenextbooth.Convincedthatakidnapplotisintheoffing,herushestothepolice,whoarepolitebutrefusetobelievehim.However,JohnsonknowswhatheheardistrueandengagesthehelpofVeraandCecilParker,hissecretary,tofindthekidnappersandsavetheunknownvictim.Thisterrificsuspensefilmtakesinterestingchanceswiththegenre.Johnson’scharacterisastudyinfrustration,aportraitofamaninvestigatingsomethingheknowsexistsbutcannotsee.Thedirectionbuildstensionwellandissupportedbyafinemusicalbackgroundwhichheightensthemood.23PacestoBakerStreetwasoneofseveral20thCentury-FoxfilmsshotonlocationinLondontotakeadvantageofFox’s"frozenfunds"--moneyearnedbythestudioinEnglandwhichbylawcouldonlybespentinthatcountry.
病床上，84岁的离休老干部林玉红弥留之际，念念不忘回到她魂牵梦萦的大漠古城。
罗伯·劳自导自演的惊悚恐怖片。麦肯娜·格瑞丝(《天才少女》)主演。一个单身父亲（罗伯·劳 饰）帮助他的女儿艾玛（麦肯娜·格瑞丝 饰）处理她在学校发生的事故。然而，他开始怀疑她是否参与了这起事件。进一步的事情发生了，他不仅要保护她的秘密，还要防止她再次受到伤害......
不忍母親為了替沉迷於賭博的父親還債務而四處奔波，準人提出以經營寄宿家庭方式收取租金，介紹了準備來東京工作的前輩阿和來到家裡幫忙。然而，阿和每天看著為了債務問題煩悶的友人媽媽，他的憐憫之心竟然漸漸轉變成了濃厚的愛意
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
The movie picks up right after Scorpion's Revenge where the heroes are attacked by Shao Kahn, which ...
二战后期，盟军飞行员欧文因飞机被日军军舰击中被迫降落在长城脚下，生命危急之际，他被八路军和当地老百姓救下，不久，战士黑子（王新军）和懂英文的女军医安洁奉命护送他前往根据地为渡过黄河，黑子先带欧文和安洁潜回他的家乡，徒生波折险些丧命。通过与安洁的交流，欧文对中国有了更深的了解，他渐渐爱上美丽、聪慧、坚强的安洁。黄河近在眼前，就在他们以为可以顺利渡过时，日军突至对他们进行了疯狂的阻击
在《生死时速》中曾经一同出生入死，共同跨上感情高速路的安妮和杰克如今已劳燕分飞原因很简单，危难关头产生的感情是不会长久的。杰克虽然勇武过人，但感情上不够细腻。而更主要的是安妮不想总过那种提心吊胆的日子。安妮的新男友阿列克斯是警察局敢死队队员。为了不让安妮担心，他隐瞒了自己的真实身份。但在一次飞车执行追捕任务时，还是被正在驾车考试的安妮发现了。
讲述为妹报仇而打伤流氓的江涛刚出狱想赶快投入社会，不想多生事端的江涛帮李晓彤从小偷那里追回钱包为感谢江涛，为他介绍了KTV的工作，并给急切救治父亲的李晓彤介绍了放高利贷的王老板。此时的王老板也被合伙人龙哥弄得焦头烂额，刚刚开始互生情愫的两个年轻人卷入了一场高利贷的漩涡，王子豪在酒吧买醉之后被龙哥手下绑架到仓库里，龙哥在王老板协商合同转让未果后，在门口顺手绑架了李晓彤，刚好被辰辰看到，辰辰去寻求帮助，王老板江涛商议过后，辰辰想到自己和晓彤绑定有共享位置，江涛果断前往救援，一番搏斗，江涛被制服，而这时王老板带着警察也紧急赶到了，龙哥伏法，而王老板因为非放高利贷也被伏法，晓彤和江涛最后走到了一起。