帕拉丁夫人（阿莉达·瓦莉 Alida Valli 饰）被控告杀害了自己的丈夫，她找来了名叫安东尼（格利高里·派克 Gregory Peck 饰）的知名律师为自己辩护。随着交往的深入，安东尼发现自己竟然渐渐地爱上了美艳的帕拉丁夫人，然而安东尼已经娶了单纯善良的妻子盖伊（安·托德 Ann Todd 饰），每每想到妻子的脸庞，安东尼的心里就感到格外内疚。 然而，对于帕拉丁夫人的迷恋战胜了安东尼的内疚感，一次偶然中，安东尼发现帕拉丁夫人身旁的仆人安德鲁（路易斯·乔丹 Louis Jourdan 饰）最有嫌疑，尽管并没有安德鲁就是凶手的确凿证据，但嫁祸于安德鲁的确是能够让帕拉丁夫人脱罪的最好方式。
张美丽（倪萍饰）的丈夫多年前因无知犯法被枪毙了，数年后也失去了孩子。她深知没有文化的后果，于是美丽当上了村里面的老师，教全村的孩子们知识。城里的老师夏雨（袁泉饰）来这个穷乡僻壤当志愿者，夏老师的到来给张美丽与孩子们带来了许多新鲜的知识与希望，可是夏老师对艰苦的环境并不适应，是张美丽那淳朴真实的感情逐步的感动了夏老师，即使丈夫前要带走夏老师，她都不舍离去。张美丽与放映员王树（孙海英饰）有暧昧的事也被夏老师知道了，她知道王树的婚姻生活并不美满，也极力鼓励张美丽在这件事上做出抉择，为自己打算一番。他们相处和睦，可是夏老师还是要回到北京，夏老师让张美丽一起去，可是美丽丢不下孩子们，于是一大群人到来城里，城里人的歧视也让美丽清楚一定要孩子们好好念书。夏老师说服丈夫帮助改善村里的经济，本来以为不会在见到张美丽的，却因一场意外，夏老师再次回到村里去……
内详
Yoo-ra suffers from nightmares every night. One day she meets her high school friends. Jin-tae is a promising artist, In-seok is a chaebol and former thug, Hye-jin likes In-seok, and Seong-ho, who used to be In-seok’s errand boy, finally meet up. Yoo-ra asks her friends if they remember the classmate that killed herself. Everyone is flustered and claims they don’t. Yoo-ra goes to the bathroom, but passes out after seeing herself in the mirror. Everyone gets in In-seok’s car to send Yoo-ra home, but they get into an accident and all become unconscious. When they wake up, they are at a familiar school that’s closed. It was the school they went to that has closed down. Why did they end up there? Yoo-ra and her friends tremble in fear for their lives...
2023兔年「雙春兼閏月」是婚嫁好時年，主持林盛斌(Bob)、麥美恩和糖妹會為一眾準新人帶來「婚禮懶人包全攻略」。無論是喜宴場地、中式的傳統裙褂、嫁喜禮餅，或是西式的婚紗禮服、鑽飾、花球等情報，統統一網打盡。嘉賓高海寧、羅毓儀、吳若希和陸浩明會分別暢談婚嫁趣聞與夢想婚禮。「金牌媒人」Bob也會大揭主持婚禮時遇過的趣事與感動時刻，還有玄學家李丞責講解生肖與結婚相關事宜，並送上可增強婚姻運的「錦囊」。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
一名年轻的单亲妈妈兼警探莫顿发现郊区的一间房子遭到一个复仇怨灵所诅咒，这使进入房子内的人都会惨死。进入被诅咒的屋子中的她们必须设法从中救出自己和她的儿子，以免受怨灵的袭击。
湘江之战后,腿部负伤的红八军团某部副团长被安置在老乡家。苏醒后,他拄着拐杖坚持找到了宿营在河边的一支卫生队。一路上经过为伤员筹粮、阻击地主武装的偷袭、与劫匪斗智斗勇等艰难险阻,最终找到乌江战场奔赴战斗岗位。
苗族少女妮从小生活在美丽宁静的苗寨中，早早就跟青梅竹马的宝在游方场上定下婚约宝外出读大学期间，妮被前来苗寨找寻神秘女子梅的舞蹈老师高飞吸引，想跟随着他去看看外面更大的世界。宝回来后发现一切已经改变，妮毁掉了跟他的婚约，妮的父亲也决定尊重她的想法。留不住妮的他选择放手，并在听闻高飞回村的消息后，主动带妮去找他。而妮在那一刻却退缩了，她突然明白了宝对自己的意义。经过“洗寨”风波，最终妮选择走出寨子，因为她明白宝、金他们都已经理解并支持着她，等待着她寻梦而归。