本剧是海顿三部曲继《盗火线》《奸细》之后的扛鼎之作。是部另类的抗战剧，讲述了山西农民赵传奇为了抗日打鬼子而发生的一系列耐人寻味的故事。赵传奇是个血气方刚的汉子，也是个充满智慧的小人物。有人说他的人物性格像《亮剑》中的李云龙，又有人说他的智慧模式有些像《永不磨灭的番号》中的李大本事，然而更加贴切的可以说赵传奇的人物性格更像是个抗日版的韦小宝分享者电视网addintime.com。他的女人缘多多，鬼点子出人意表，因有着晋商的思维模式，总是让小鬼子们摸不到他的出招套路。他面对一帮“乌合之众”的属下，一会儿大嗓门激励，一会儿嬉皮笑脸地哄，对付愣的还得连蒙带骗，充分调动每个人的积极性，是个让人欢笑让人愁的活宝。
居住在仙台的宅急送工作人员青柳雅春（堺雅人 饰）是一个情感细腻、善良温和的青年。2年前，他曾因救助被歹徒威胁的当红女明星凛香（貫地谷しほり 饰）而成为当地家喻户晓的英雄人物。某天，他接到大学好友森田森吾（吉岡秀隆 饰）一同钓鱼的邀请，于是欣然前往。但是令青柳出乎意料的是，森田似乎把自己骗入一个陷阱之中。是日，正在故乡仙台视察的金田首相（伊藤ふみお 饰）遭到炸弹袭击身亡，而青柳则成为了头号嫌疑人。警察总署综合情报科迅速部署天罗地网，而知晓内幕的神秘势力也急于杀害青柳以灭口。在好友和陌生人的帮助下，青柳被迫在小小的仙台展开绝命逃亡，“对他人的信任”是他所拥有的唯一武器…… 本片根据伊坂幸太郎的同名原著改编。
人在死亡之前，这一生会在眼前快转而过；《追忆似水年华》是濒死之际，追忆此生的一切。 随著意识流动，看著照片想起与此人相关的往事，又从往事中的一个细微动作/物品，回忆到与其相关的其它过往，如此再三地自由联想，便复杂交错地勾勒出了主角马塞尔的一生。 要以短短的2个小时又40分钟的影片，呈现《追忆似水年华》这部原著钜作的所有，无疑是缘木求鱼，因此导演聪明地抓住原著中意识流之感，让观众一如进入梦境般，随著马塞尔的思绪跃动，反覆穿梭在马塞尔漫漫一生的各个经验翦影中，感受到回忆之玄妙，却也让人容易在其中迷了路。 片中不时出现超现实的场景转换，如马塞尔坐在椅子上，新闻电影银幕之前滑动；马塞尔在街道上走到一半突然滑跤，在身体前扑之际静止，然后背景不断转换，接著他滑到了下一个场景；或者进入一个雕像错落的异空间，观众恍如置身梦境，也充分表达了「追忆」这件事，其实与「做梦」极为相似。而片中不断出现的静止画面、雕像意像，更表达了止凝吉光片影，紧握回忆的企图。 在追忆之时，也不免对「回忆」提出辩证：「如果遗忘所带来的回忆，不再与当下有任何联系，就能让我们瞬时体验新的气象，其实，我们早已体验过这些了……每一次类比的浮想，总将我带离现在……」 片尾也以雕刻师萨维尼的故事表达了「永恒」的意念，只要曾发生过，便是永恒，它不会消失，只是不再回来，因此能鲜活地历历在心。
两个兄弟和他们的家庭之间的紧张局势升级时，一个视频曝出了其中一个的儿子与另一个的女儿殴打一个无家可归的女人置其死亡。
故事发生在冬天的挪威，沉默内敛又辛勤工作的尼尔斯负责驾驶马力强劲的除雪车清理道路，保持通往他所居住的冰原小镇的山路入口畅通。他的工作受到大家的肯定，就在他刚刚被评为年度市民时，他却接到噩耗——他的儿子死于海洛因过量。尼尔斯拒绝接受关于儿子之死的官方解释，他开始秘密寻找杀害他儿子的嫌疑凶手。一个意外的事件转变使得他成为了令人闻风丧胆的地下英雄，而他的身份却无人知晓。via.张咏轩Wayne
《大耳朵图图》的主角灵感来自现实生活，曾获得第23届中国电视金鹰奖“最佳编导”和“优秀长篇美术片”两大奖项。 胡图图是一个机灵，淘气聪明的小孩三岁小孩，他天生快乐，心地善良，喜欢多管闲事，精力充沛，对周围的事物非常好奇，并且还有自己独特的见解和超强想象力，他的言行常常让人大跌眼镜。他爱胡思乱想，最大的特点就是好吃，每次一提到说到考试就能想到烤红薯和羊肉串，还会观察想象成一种好喝的茶，而且为了有零食吃可以做出违背自己原则的事情，他的可爱和自作聪明让每个人忍俊不禁
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
我的情人我的儿子线上看,我的情人我的儿子完整版在线观看,妻子爱上了长得像死去情人的儿子，丈夫发现了这个秘密,一怒之下欲杀妻，却被儿子误伤致死。儿子另有所爱，欲离开母亲，才知父亲其实是被母亲所杀
Doug Baily's father is weird, but a strange machine in the garage now makes him invisible too. Its a roller coaster ride of fun and hijinks as Doug tries to turn his invisible dad back to normal again
影片讲述了4个30出头的男女在海边旅行所发生的故事，洪尚秀一如既往地把镜头对准都市男女，叙说不完的情爱。
一本奇书，一个背影……因为种种巧合，学数学的男生郝欣桐遇上了学历史的女生白灿然。一本旧书上的两种笔记，成为历史和现在的交汇点，他们沿着蛛丝马迹，苦苦追寻五四时期的一段真相。而正当一切就要豁然开朗时，白灿然却突然选择了放弃。那本笔记背后究竟有着怎样的秘密？郝欣桐和白灿然又会有怎样的结局？
90年代的小山村，李玉梅张守江是青梅竹马恋人，守江在偏远山区教书，家境贫困，父亲早逝、母亲卧床久病，弟妹年幼为了当初“爱“的约定，李玉梅依然嫁给张守江挑起照顾全家老小的重担。二弟张守义瞒着大嫂打工贴补家用，黑心工头不给工钱反而把他打成重伤。小妹守英悄悄跟随大嫂采中药，意外摔成植物人。守江送学生回家路遇山体滑坡身亡。一连串的不幸让李玉梅悲痛欲绝，但是为了腹中的孩子和全家老小她依然坚强挺起这个家。守义以优异的成绩考入大学，为减轻负担，谎说自己没考上准备外出打工，就在张守义泪别录取通知书的时候被嫂子发现，嫂子跪求二弟必须上大学，守义被嫂子的无私付出而感动，惭愧的跪到嫂子面前.....