30年代的北运河畔，柳巷村种瓜把式柳梢青青和她的女儿眉子是户侠义人家。眉子自幼丧母，与武艺高强、身怀绝技的父亲相依为命。她对同村的教书先生吴镰一片痴心，但却怕自己的"火"命克了吴镰的"水"命，不敢吐露真情。她常常捧着挂在脖子上的那把刻有"火命忌水"的铜锁，怨恨自己命不好！一次，她堵截了人贩子花子金的"放鹰"船，从船上救出一位如花似玉的姑娘花三春。眉子掩饰住内心难言的痛苦，亲自替吴镰与花三春操办婚事，促成吴镰与花三春的姻缘。花三春是花小金的女儿，她从小受不良环境的熏染，泼辣妖媚，好逸恶劳。但她聪明灵俐，渴望自由，渴望真正的爱情。为此她执意拒绝做大恶霸龙头少爷的九姨太。和吴镰的结合，使她得到了从前所享受不到的家庭温暖与幸福。三春有了身孕，眉子格外地照顾她，经常到吴家帮着做事。没想到，这却引起了三春的误解，她怀疑眉子和吴镰是"明来暗去藤缠树"，大耍泼劲，恶语伤人。为这，柳家和吴家断绝了来往。此时正值抗战前夕，运河两岸风云滚滚。吴镰立志投笔从戎，积极参加抗日救亡活动。他用练武方式团结群众，三番五次恳求柳家父女把武艺传授给乡亲们。柳家父女以大局为重，放弃前嫌，两家终于和解。吴镰从事地下活动，整日早出晚归。三春怀疑丈夫有了外心，便暗中盯梢。一次，吴镰把一位伤员刚刚藏到柳家瓜棚里，敌人便追踪而至。眉子掩护伤员迅速转移后正欲离开瓜棚，花三春跑来闹事，硬要眉子还她吴镰。情况紧急，眉子急中生智，将三春打昏后藏到草垛里。敌人冲进瓜棚，为掩护三春不被敌人发现，眉子临危不惧，只身与敌人拼死搏斗。三春在草垛里看着眼前发生的一切，终于明白了真情，又悔又恨，发誓一定要报答眉子。花子金为报失女之仇，杀气腾腾闯进柳巷村。眉子寡不敌众，被花子金抓住。危急关头，花三春救出眉子，并将计就计，杀死企图侮辱她的人贩子贾二哈。花子金见女儿背叛了自己，恼羞成怒。花三春大义灭亲，举枪打死了作恶多端的父亲，自己也不幸惨死在花子金的冷枪下。北运河滚滚东流。眉子站在河边，望着翻腾的河水，她拽下脖子上的铜锁，把它扔进河中。她将开始自己新生活。
电影《是的、不会游泳》改编自高桥秀实的著作，长谷川博己饰演的主角明明是一副连都水不敢碰的旱鸭子，却总是找借口的顽固哲学家小鸟游雄司。绫濑遥饰演在教游泳方面非常热情，但除此之外都很笨拙的古怪教练薄原静香。雄司为大学哲学教授，害怕面对水，完全不会游泳，某天，他老是在人和水的关系上推三阻四，极力避开水。在强行劝说雄司入会的教练静香的教室里，和热闹的主妇们一起开始学习游泳，静香说：「比起陆地，水中更容易生存」，而雄司一边因为对水的恐惧而大吵大闹，但一边仍然继续上课。因为某个理由害怕水的雄司，开始了一进一退的日子。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
一对即将结婚的情侣在拍摄婚纱照回家的途中遭遇了交通事故，经过抢救虽然脱离了生命危险却一直昏迷不醒。为了给未婚妻筹备手术费及护理费，他卖掉了婚房，进入工地打临时工、街边卖唱。半年后未婚妻虽然醒来却失去了记忆，把苍老的他当成爸爸，却爱上了主治医生。为了不再让未婚妻受到刺激，他最终选择了成全，默默离开。
拥有幸福美满生活的大兵福德·布罗迪（亚伦·泰勒-约翰逊 Aaron Taylor-Johnson 饰），内心隐藏着一个挥之不去的阴影。15年前，他和父亲乔伊（布莱恩·科兰斯顿 Bryan Cranston 饰）、母亲桑德拉（朱丽叶·比诺什 Juliette Binoch e 饰）生活在日本。父母供职于一座大型核电站。就在福德的爸爸生日当天，一场突如其来的灾难摧毁了核电站，他的母亲在灾难中丧生，语焉不详的政府隐瞒真相，以防止核辐射的名义封锁了该地区。但是乔伊却从种种异状觉察到反常之处，十五年来他一直试图揭开当天的灾难之谜，终于发现这一切都是由一只如山一般巨大的怪兽所引起。
网络剧《触碰你》，讲述的是只要触碰对方的身体就能知道对方未来的男人都振宇和拥有天使一般心灵与美貌的女人陈熙英的爱情故事。
Disponible depuis ce vendredi 2 septembre sur Netflix, Chef’s Table: France nous emmène dans les cuisines étoilées de quatre chefs fran?ais, à la rencontre d’hommes et de femmes qui réinventent la sacro-sainte gastronomie hexagonale. L’innovation, sans renier la tradition. C’est tout le défi que se sont lancés Alain Passard de L’Arpege, Michel Troisgros de la Maison Troisgros, ...
汇集民间真实存在的“阴婚”、混乱意识中隐现的“红衣女子”、谁接近谁丧命的“克人”体质等多重惊悚元素，在交织缠绕的情感线中，迸发“取材于现实”的真实恐怖。荒诞离奇、怪事连篇引尖叫，魔鬼“越界”出奇制胜击溃内心防守，阴阳相隔的“跨时代”忠贞爱情惊天地泣鬼神，死神出击、丧命夺魂恐慌“超真实”野蛮生长，山崩地裂式恐怖视听盛宴一触即发！
BBC最新高清纪录片，将镜头瞄准我们这颗星球上的植物，由主持人Iain Stewart 教授带领大家走进植物的世界，了解植物的起源及生命机理。这个主持人之前主持过 - 地球的力量， 非常喜欢主持人Iain Stewart 教授，可能就是因为这个带有浓重苏格兰口音的家伙，该系列纪录片知识性很强，而最难能可贵的是，专业乏味的植物学知识在他和BBC主创人员鬼斧神工般的技巧下变得娓娓动听！堪称高清版的 - 植物私生活 此系列一共分为三集： Life from Light 生命源自阳光 The Power of Flowers 花的力量 The Challenger 挑战
国内首档聚焦中国式生活美学的纪实类节目。节目中痛仰乐队、五条人乐队、九连真人、康姆士乐队、低苦艾乐队、张尕怂、李敬进、小河、陆晨、钟立风、莫西子诗、蛙池乐队等独立音乐人、乐队及创作者将系数出镜，每期邀请一支乐队或一位音乐人，以及他们的好友，以“音乐+旅行”的形式，以中国人的世俗生活为线索，发现中国式生活美学，从而歌唱平凡的人间。
《给我钱 第10季》将于今年秋天回归
影片取材于当地的真人真事，以教师宋某为原型，讲他任教数十年的事业感情生活作为主线，通过村民和孩子们想方设法帮助老师相亲、妙趣横生又真实感人的故事，牵动着人们对当代教育和社会人生价值的思考。再现了现实生活中浮躁与宁静，物质与情感，时尚与自然的深度碰撞。反映了山里人对知识的渴盼，对美好生活的向往。