「中元大餐」故事講述夏靖庭飾演的總鋪師爺爺與孫子阮柏皓，都是具有陰陽眼的通靈料理人，如何透過台灣在地化的美食料理，找回孤魂野鬼與爺孫的過去記憶，藍正龍則飾演與兒子關係疏離的上班族父親。
松田启人（津村真琴配音）是一个热爱幻想的五年级男生，一次偶然中，启人捡到了一张神奇的卡片，这张卡片将启人带往了生活着数码兽的数码世界，在那里，启人遇见了基尔兽，此时的他并不知道，基尔兽将会是他一生中最重要的搭档和朋友。为了保护数码世界和数码兽，四圣兽之一朱雀兽接连不断的将帝魔送往人类世界，造成了危险和混乱，启人和好友牧野留姬（折笠富美子配音）、李健良（山口真弓配音）一起为了保护和平加入了战斗之中。不仅如此，朱雀兽还带走了掌握着数码兽进化关键的古乐兽，追随着古乐兽的踪迹，启人一行人闯入了数码世界，展开了大冒险。
该片延续了施瓦辛格一贯的英雄风格。在2019年，美国已经成为了一个独裁国家，在这里，不容许有不同的声音出现。本（阿诺•施瓦辛格 Arnold Schwarzenegger 饰）是一名警察，因对当局的命令不满，拒不执行命令而被判有罪遭到逮捕。 现在只有一个机会能让本重获自由，那就是参加电视台的“过关斩将”节目并最终获胜。这个节目肆意歪曲事实，误导观众，节目里的有识之士被扭曲形象，遭到杀害。本千辛万苦从电视台逃出来后，联合了一班正义之士，准备杀回电视台拆穿这个节目的骗局！
一个人一旦发现自己的生命即将结束，就会发觉对生活有了新的认识。 Benjamin Kasparian是亚美尼亚血统的古生物学家，刚刚与他的妻子阿曼达分手。在试图重新适应单身生活的同时，本杰明去看医生并被告知患有一种名为Talbot综合症的不寻常的脑部疾病，并且他的生命只剩下五周。起初本杰明对他的命运持哲学态度，并决定尽可能多地享受自己离开的时间。对于阿曼达，他最好的朋友，老板和新女友，他们都觉得他应该更认真地对待此事。by:m.yakubd.cc
清末民初时，靠给人算命为生的金添儿因瞎话露馅被嘎杂子挂大扁儿追打，误闯京城五大镖局“赶山拔魁”的现场，阴差阳错地拔了金魁镖旗，莫名其妙地成了这次“赶山拔魁”的大把式/总镖头，被逼接下了护送皇杠的镖活；金添儿由此踏上了一段生死未卜、却又令人啼笑皆非的亡命之旅。在这次护送皇杠的旅途中，他误打误撞的躲过了一次次的人为追杀，不仅救了五大镖局还获得了自身的成长。
汪者客栈玄妙时空，英杰汇聚卧虎藏龙，中外传奇古今歌颂，精彩尽在玄玄英雄！
卡米·康维（劳拉·马兰洛饰）拥有一切：她得到了自己想要的工作，成为一名录音工程师，并将与优秀男友保罗（斯科特·迈克尔·福斯特饰）订婚、结婚、生孩子。然而她总觉得少了些什么。她是否只是担心错失和害怕承诺？或者，她真的错过了一个更好的职业生涯，也许是她曾经梦想却被长期搁置的歌唱事业？保罗是她一生的挚爱吗？如果是英国性感摇滚明星雷克斯·加里尔（阿万·乔贾饰）走进她的工作室，无法抑制地迷上了她该怎么办？或者是“离她而去的”初恋、理想主义的世界旅行家杰克·曼纳（乔迪·韦伯饰）回到她的身边想要重燃青春激情，那又该怎么办？卡米面临着一个诱人但艰难的选择：从严重的道德困境到轻浮的“真心话大冒险”。她的选择完全取决于你 — 观众。但要谨慎选择！事情有时会完全出乎你的意料！
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
在漫画般繁华的加利利市住着一群“天台人”，他们居住在城市建筑的天台上过着清贫快乐的生活。浪子膏（周杰伦 饰）、黑轮（柯有伦 饰）、蛋花（宋健彰 饰）、花椰菜（黄俊郎 饰）就是其中几个爱耍帅善良的天台少年，他们从小被茉莉姐（徐帆 饰）养大，在波爷（曾志伟 饰）的医药馆里打工。由于黑轮在黑社会性质的“市居会”帮助雷哥（王学圻饰）收租得罪了同僚红毛（黄怀晨 饰），至此牵连了几个好友。同时浪子膏巧遇了心仪已久的女明星心艾（李心艾 饰）并与之日久生情，而心艾的老板威少（邱凯伟 饰）因为嫉妒从中挑拨，并与红毛联手对付浪子膏一伙，引发了一场腥风血雨的争斗。关键时刻面对爱人和朋友浪子膏做出了一个重大的抉择。
该剧改编自作家冯唐的小说《十八岁给我一个姑娘》，以秋水为首的一群少年为主线，讲述了他们之间有关友谊、爱情的故事