和前夫罗伯特（Jarreth J. Merz 饰）结束了失败的婚姻，在高校任教的索菲娅（Harriet MacMasters-Green 饰）带着女儿海伦娜（Sabrina Jolie Perez 饰）搬入一幢新的公寓居住。这天早晨，海伦娜一颗牙齿松动，索菲娅一如父母祖辈那样为女儿讲述关于牙仙的传说。谁知毫无征兆的早晨灾难突然而至，索菲娅驾驶的车意外冲入河里，而她的女儿也在车祸中失去了那颗松动的牙齿。这起事件成为母女人生的转折点，虽然她们幸运生还，可是总有什么悄悄发生转变。海伦娜似乎深信牙仙的存在，她时常在之上画下牙仙恐怖的身形，甚至花钱从别的同学那里买来乳牙。 索菲娅对女儿的变化深感担忧，她不知道此刻她们正迈向恐怖阴冷、万劫不复的深渊……
这是一个外星人和地球人混居的时代，在外星移民的压迫和统治下，流传百年的武士道精神已然没落，然而，在一片倾颓之势面前，依然有一群人默默的遵守着他们的准则和正义家道中落的青年志村新八（菅田将晖 饰）在一场意外中结识了万事屋老板坂田银时（小栗旬 饰）和天人少女神乐（桥本环奈 饰），三人成为好友。他们共同的朋友桂小太郎（冈田将生 饰）无故失踪，经过调查，一个名叫冈田似藏（新井浩文 饰）的男人和一把名为“红缨”的妖刀浮出水面。 冈田似藏是曾经的攘夷志士高杉晋助（堂本刚 饰）的手下，高杉恨透了这个堕落的世界，一直都企图将它破坏殆尽。随着红缨的力量越来越强大，整个大江户被笼罩在越来越浓重的阴云之下。
漫威正在开发D+剧集《暗夜狼人》。项目的制作代号是"BuzzCut"，暂计划2022年2月开拍，上线Disney+开播。“暗夜狼人”本名杰克·罗素，古老家庭诅咒的受害者，他一直在自己的兽性中争取自我，随着时间的推移，杰克终于战胜了心中的恶魔。也在打击威胁地球的黑暗势力。他是正义的使者，阴影的复仇者，他是暗夜狼人。
在美丽的顺德，有一个有趣又有爱的大家庭。他们用热情和勇敢去创造新的生活，他们用善良和温情去诠释着人间小团圆。在这里，有忧伤，也有欢乐；有争吵，更有幸福。他们相敬如宾，他们相融以沫。 在这片温润的土壤上，本地人与本地人，本地人与外地人，外地人与外地人如何相互包容，相互成长，携手共建美丽家园？这些故事会一一向你诉说……
本片讲述了一段关于人生成长的创业故事，主人公小强出生在偏僻的农村，幼年时母亲不幸遭遇车祸离世，一家人生活十分艰辛，但是幸得奶奶和父亲无微不至的关怀，一家人和睦友善，日子虽然过得十分艰辛但也十分幸福温暖，正是这种家庭的和谐幸福让其有着坚韧不拔、知恩感恩的本性。成年后，坚强懂事的小强为了减轻家庭负担，选择独自前往上海创业打拼，创业的道路十分艰辛，让其遇到了很多困难和挫折，但因为小强善良的本性，又让其收获到了非常多的帮助和鼓励，最终经历过许多风风雨雨之后，小强用自己的坚强和勇敢，在上海闯荡出了一番属于自己的事业，与此同时小强也赢得了属于自己的一份爱情，成功后的小强知恩感恩，选择回报社会。
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
From swingers clubs filled with sex-seekers of all ages and body types to libidinous limo rides, a Tokyo S&M hotel, the UK Torture Garden Club, and an amputation fetishist who gets his kicks by slicing off body parts, documentary filmmaker Raphael Sibilla teams with producer Emmanuel Prevost to offer an unflinching look at transgressive sexual practices across the globe. ~ Jaso...
抗日战争时期，某山寨钱庄老板赵金川看中了本寨少女忙妹。为了达到霸占她的目的，赵金川依仗权势逼迫忙妹与自己的傻儿子成亲。忙妹执意不从，被锁进了赵家柴房。忙妹的恋人、赵家的长工石头冒死前来相救，竞被赵金川开枪打死。悲痛欲绝的忙妹被众人强拉着与傻子拜了堂。当晚，忙妹即被赵金川糟蹋了。5年以后，一个威震江湖的神枪手石大胆来到了枫树寨。他，就是‘‘死而复生”的石头。5年前，石头侥幸从坟地捡回了自己的性命，从此远走他乡落草为寇。他今天重返山寨就是要找赵金川报仇雪恨。看到自己的恋人已为赵金川生下了一个儿子，石头不由得怒火中烧，发誓要将赵家满门抄斩。就在这时，日本鬼子闯入了山寨，为夺取赵家的祖传之宝——白金和尚，以私通八路为名将赵金川抓了起来。赵金川宁死不交。日本鬼子残忍地打死了他的傻儿子及他和忙妹的儿子——狗儿。面对着国恨家仇，石头陷入了痛苦的矛盾之中。经过激烈的...
共处一个大杂院的刘家与李家“战事”不断。刘、李两家恩怨的根源在于父辈——刘秀凤和李大龙，二人为一段旧事吵闹了近三十年，连带两家其他人也卷入纷争。
广岛和长崎的两枚原子弹，终结了日本帝国主义蹂躏世界的恶行，却无法抹去披着人皮的恶魔们犯下的不可饶恕的罪业。20世纪50年代初的一天，贵族出身的佐川受邀来到樱花馆，此时会场内已经座无虚席，来宾竟然都是当年在731部队的战友。731部队臭名昭著，幸存者苟且偷生，但佐川独独无法忘怀三千六百名作为实验品惨死在哈尔滨的亡灵。这场聚会由未知的外国势力主办，东道主的目的只有一个，那就是借助老731的人力和经验再度研发杀伤力巨大的细菌武器。丰厚的报酬令一些早已丧失了人性的家伙垂涎三尺，但佐川却对此出离愤怒。面对这群人，他终于启齿回忆起关于731部队的一段罪恶又令人悲惋的往事。 转眼回到1945年，饭田太郎和爱子的故事浮出水面……
孤儿院里一个名叫苏菲的小女孩一天夜里睡不着觉，她在“巫师出没的时刻”看到一个和楼房一样高大的巨人沿街走过来。巨人发现苏菲看见了他，于是便把她拎回了巨人国。这个巨人是好心眼儿巨人，好心眼儿巨人专门搜集好梦，把梦分门别类地装在一个个玻璃瓶子里，再挨家挨户地把捕捉来的好梦吹到孩子们睡觉的卧室里。他与其他巨人国中的巨人不一样。其他巨人都吃人，他只吃自己种植的食物。