约翰（理查·基尔 Richard Gere 饰）是一位专门调查科学无法解释的不思议事件的记者，妻子玛丽（黛博拉·梅辛 Debra Messing 饰）的意外死亡让原本生活幸福美满的他陷入了痛苦之中。令约翰耿耿于怀的是妻子生前留下的画作，画面上鬼魅一般的形象让约翰联想到了妻子曾经说过的一些奇怪的话语，这些迹象表明，玛丽的死亡或许并不是一个意外。 一次偶然中，约翰在出差的途中迷了路，兜兜转转下，他来到了一个名叫极乐镇的地方，在那里，正发生着一些诡异又可怕的事情。好奇心驱使约翰留在了此地进行调查，让他惊讶的是，妻子画里的可怕形象竟然出现在了小镇居民们的梦境中，而对于这个模糊不清的形象，小镇的居民们将它称为“天蛾人”。
讲述了恋物癖女孩珍妮……与游乐园设施珍布……之间的爱情故事。
1945年春，东北战场上，日军节节败退，日军决定将代号为“竹风”的虎林要塞布防图交虎林守军,但在运送途中遇游击队伏击，“竹风”丢失。为找回“竹风”，负责押送密件的日军第四宪兵团所属“南木部队”，组建“特搜队”针对游击队展开搜捕，妄图找回日军机密文件。我党组织授命关林和山鹰组建特战队，同时寻找“竹风”的下落。唯一知道“竹风”下落的特战队女战士孟虹作为找到“竹风”的关键突破口，成为各方势力争夺的对象。日军派出奸细打入特战队内部并绑架了孟虹的儿子，想通过要挟的方式换取“竹风”。特战队在与敌斗争的过程中，通过孟虹回忆起的线索，终于搜寻到“竹风”的踪迹，并将“竹风”交给了组织，成功捣毁了日军的计划。
At wedding's day's eve the Andrea things many different lives he could have lived. All of them, in many different ways, brings him to his loved Laura
加布里埃（马修·阿马立克 Mathieu Amalric 饰）是一名在出版社工作的编辑，近日里，他对自己的工作产生了强烈的质疑。曾经，加布里埃是一名自由职业者，可以随心所欲的创作自己喜爱的作品，如今，他被局限在狭窄的办公室之中，无比怀念曾经自由的生活，可又下定不了辞职的决心。 在感情生活里，加布里埃也是这样的犹豫不决。他十分想念前女友珍妮（珍妮·巴利巴尔 Jeanne Balibar 饰）的成熟和性感，却又放不下现任女友安娜（维吉妮·拉朵嫣 Virginie Ledoyen 饰）的年轻和单纯。亚德（弗朗索瓦·克鲁塞 François Cluzet 饰）是加布里埃的好友，他的死讯让加布里埃开始重新思考起什么才是他生命中真正重要的东西。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
父亲常常因公出差，留下继母和继子两个人相依为命生活。继母对继子关怀备至，但是继子却不愿打开心扉。一天，继子带着女友回家，在房间里发生了性关系，被继母发现，于是每晚她都无法摆脱脑海中的这个场景。同时，暗恋继母的继子感到很困惑，而继母也面临适应生活的挑战。无法表达自己对继母爱意的继子开始用女友来替代继母...
周小龙（周星驰 饰）与父亲周飞鸿（元华 饰）生活在大澳，与师妹毛毛（毛舜筠 饰）是一对单纯的欢喜冤家。某天，小龙的师叔毛仁（梁家仁 饰）到大澳躲债，飞鸿托阿仁把儿子小龙带到香港发展，阿仁意外发现了小龙高超的台球技术，变决定利用小龙进行赌博。黑帮龙哥看中了周家大澳的田地，便要求阿仁以地皮为赌注。小龙面对对方的世界级高手，压力巨大因此输掉了比赛。毛毛为了鼓励小龙，把自家的田地也作为赌注，决定要再次把自己的土地赢回来，但压力仍然困扰着小龙，比赛一度落后……
就读于卡瑞·纳辛高中的雅斯敏（娜塔莉亚·罗蒙丝 Nathalia Ramos 饰）、洁儿（詹尼尔·帕里士 Janel Parrish 饰）、萨莎（罗根·布朗宁 Logan Browning 饰）和科洛（斯凯勒·莎耶 Skyler Shaye 饰）是4个友情笃深、亲密无间的好姐妹，她们自称“贝兹少女”。不过，崭新的高中生活让女孩们的心思飘忽，她们开始朝着各自的兴趣与爱好发展，四人聚少离多，并渐渐心生离析。 校长迪姆利（Jon Voight 饰）曾是一名作风严谨的军人，他的女儿梅雷迪丝（切尔西·斯特布 Chelsea Staub 饰）作为学生会主席，秉承了父亲的硬派风格，将学生们分而化之，实行军事化的高压管理。在高中的最后一个学年，四个女孩惹到梅雷迪丝及其父亲，也由此分开良久的贝兹少女再次聚首，她们将为了友情和自由与梅雷迪丝展开斗争……
京师百货小职员沈杏仁（柯佳嬿 饰）最大的梦想就是赚足了钱在台北买房，把住在三峡的妈妈接来一起生活。留美归来的秦子奇（邱泽 饰）是京师百货董事长秦慕白（沈孟生 饰）的儿子，原本以为学成归来老爹会把企业经营权交给自已，可老爹却让他先从基层员工过起，并规定五条细则，若违反其中一条就自行走人。刚开始，心高气傲的子奇对带他的师傅杏仁满眼不屑，但杏仁的那套“职场生存理论”屡屡在关健时刻让他化险为夷，令子奇不由的对杏仁刮目相看。秦慕白暗中观察儿子的变化，他高薪请来知名代理商余承风（温升豪 饰）担仼总经理，此时的子奇已成为女职员心中的白马王子，他敢挑战这个本该属于自己的总经理吗……
个性迥异的姊妹，相依为命、各自人生。 她相信事情总有解决的办法；她期待事情可以find the way out。 然而接踵而来的状况，却不再是她们所能承担。 该相信什麽？ 要期待什麽？ 能承受什麽？ HBO亚洲原创黑暗悬疑影集 带你进入坚强背后的脆弱与不堪
天野景太（户松遥 配音）是一个平凡的11岁男孩，一天，因为放暑假而无所事事到处闲逛的景太在树下发现了一台破旧的扭蛋机，景太用身上唯一的一枚硬币扭了一个扭蛋，就这样，他和妖怪执事维斯帕（关智一 配音）相遇了。景太获得了能够看见妖怪形象，以及召唤妖怪来协助自己的超能力，与此同时，他也肩负起了收复恶灵的重任。 个性活泼开朗，但却意外的毒舌的木灵文花（远藤绫 配音）、外表硕大样貌恐怖个性却很温柔的熊岛五太郎（奈良彻 配音）、完全不相信有妖怪的唯物主义者今田干治（佐藤智惠 配音），除了景太，这些同学们也在这个暑假里遇到了种种不可思议的怪事。