共时性：久未谋面的高中同学荣子（黒木メイサ饰）和朱美（藤井美菜饰）意外见面，此外她们还发现彼此许多的共同点，这莫非就是传说的共时性？当然“偶然的一致”并不止这些。被贴了：某银行小主管椎名毅（成宫宽贵饰）自视甚高，这天他发现被人贴了撕不下去的标签。为了改变负面的评价，他尝试全力迎合周围人的想法。弃物狂：为了出人头地，女主播栞（深田恭子饰）通过抛弃身边的东西换取事业的成功。他执迷于此，却连重要的人也情愿抛弃。车里的变故：故事发生在昭和时期，警察模样的男人（杉本哲太饰）押解着黑社会小混混（古川雄辉饰）坐在一列奔驰列车的空荡车厢中。这时，一名衣冠楚楚的男子（北村一辉饰）走进车厢，与他们展开了罗生门般的推理。
在郊區一間密不透風的密室內, 光線微弱得幾乎成不了直線。一對男女昏迷在地上, 而男子肚腹被插上小刀......;女子首先蘇醒過來,她發覺門被鎖。她從門縫中發現了門外地上有一條門匙, 但她未能把門匙拉回來。男子終於醒過來了, 他感到痛楚之餘不忘懼怕。言語間竟然發現彼此也失去了記憶!這令兩人之間的猜疑有增無減。密室的空氣越來越少, 女子漸漸失去理智, 她決定要把男子身上的小刀拔出並把門匙取回, 結果她成功了!兩人朝相反的方向,步履闌珊地離開房間。後來男子發現自己是被綁架的目標人物!他更發現地上一具年青女性屍體, 他想起她是自己的女朋友, 男子得回了大部份記憶, 他直指女子是綁匪, 女子真的是綁匪嗎?
智史（山田孝之饰）是Trash水生植物店的店长，生意清淡，几乎难以为继。某日，一个女孩子找上门来，不由分说便要求做店员，还就地住了下来。智史后来才知道女孩竟是超级模特森川铃音（長澤まさみ饰），迟钝的智史对铃音的出现和行为目的完全是一头雾水。“女孩子的行为都是有特定的含义的”，在铃音的反复暗示下，智史终于想起13年前的故事，他、花梨、佑司是形影不离的好伙伴，后来却失去了联系。时光荏苒，看到长大了的花梨成为铃音与自己重逢，智史又惊又喜。有一天，佑司（塚本高史饰）的消息也传来，他受伤住在医院里，智史和花梨一起去看望佑司后，花梨却对智史说自己要留下陪伴佑司不走了。独自返回的智史心情低落，郁郁寡欢，这时父亲（小日向文世饰）前来看望，告诉了他一个惊人的秘密……
布鲁斯·班纳的表妹珍妮佛·沃特斯，作为刑事律师的她在一次重伤后接受了班纳的输血而产生异变，成为了女浩克。
Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
一双又一双女人的腿，从墓地上走过，他们纤细、美丽而动人，散发着芳香、温柔和女性特有的娇柔。一个男人的葬礼竟能吸引这么多女人的到来，那么他究竟是怎样的一个男人呢？新浪潮大师特吕弗的《痴男怨女》带我们走进一个偏执的男人的世界。
劳拉，来自马德里的西班牙律师，为寻找她失踪的妹妹萨拉，深入刚果丛林的钶钽铁矿产区，营救妹妹
在某偏远的修道院里，一个修女举止突然变得怪异可怕，传言她被恶魔附体，两个牧师应要求去调查此事，他们采取的驱魔之法却引出了更深的恐惧……
地球被外星机器人入侵，人类变得稀少和贫困。在偏远的乡村，饥饿的人们如同盘旋在天空中的外星人一样危险。一个精力充沛的19岁女孩Sarah Connolly（达科塔·布鲁·理查兹 饰）开始拼命反击一群饥饿的土匪，她保卫着她父母的农场、剩余的牲畜、和太阳能电池板……如果她不成功，她将失去唯一的食物与住所。
本片是日本电影天皇黑泽明对梦的勾画，全片共有八个梦境，分别是：太阳雨、桃园、风雪、隧道、乌鸦、红色富士山、垂泪的魔鬼和水车之村。这八个梦几乎贯穿了人类生活的所有主题，战争与和平、社会与人生。在不同的梦境里有着不同的场景，配合不同的色彩，把人类所面对的所有主题一一呈现。