当又一次和伏地魔（拉尔夫·费因斯 Ralph Fiennes 饰）的意识连通，哈利·波特（丹尼尔·雷德克里夫 Daniel Radcliffe 饰）断定最后一件魂器藏在霍格沃茨，于是和罗恩（鲁伯特·格林特 Rupert Grint 饰）、赫敏（艾玛·沃森 Emma Watson 饰）一同返回阴云密布的学校。在好友们的帮助下，他们成功驱逐了斯内普（艾伦·瑞克曼 Alan Rickman 饰），然而觉察到哈利目的的伏地魔则率领徒众向霍格沃茨逼近。食死徒、摄魂怪、巨人疯狂涌入这所有着悠久历史的魔法学校，正邪决战旋即爆发，一时间血雨腥风，死伤无数。从斯内普的眼泪中，哈利不仅了解到父辈的故事，也证实了藏缅于他体内最后的秘密。在此之后，他也和伏地魔迎来了最后的对决…… 本片根据英国作家J.K.罗琳的同名原著改编，也是“哈利·波特”系列影片的完结篇。
Two sisters at an orphanage find a puppy and hide it. When they are adopted by a couple at Central Park, they bring it secretly with molikan.com them. Even in a big apartment, it's a problem hiding and feeding a growing Great Dane.
在经历了失去师傅的痛苦后，白糖一行化悲伤为力量击败了邪恶的傀儡师，踏上前往小青的故乡——身宗的征程。身宗四面环海，风景如画，初入身宗的星罗班好好享受了一番。然而，短暂的快乐过后随之而来的便是生活的无奈和艰辛。不用于以往的困境，更为强大的敌人，对于正义的判断，艰难的抉择……在残酷的现实和邪恶的敌人的共同磨砺下，星罗班有了进一步的成长。于此同时，小青也离自己身世的秘密越来越近……
Afemalecopisgunneddownandwronglyaccusedofusingexcessiveforceinahostagerescueattempt.Maniaccopreturnsfromthedeadoncemoretoseekrevenge,destroyingeverthingandanyonethatstandsinhisway.
天启皇帝驾崩，崇祯即位之时，准备法办奸臣魏忠贤一党，在这关键时刻却发现记载魏罪证的万言书被盗，六扇门和魏忠贤的党羽银鬼同时出发追踪盗书之人，并展开了关乎正邪交锋、恩怨情仇甚至社稷安慰的最终“绝战”！
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
男孩Dominik看到一个美国犯罪的老板谋杀了他的父亲，一名警察反腐败在保加利bbb。多年后，他试图为父亲的死报仇，但因谋杀未遂被判入狱15年。在监狱里，他遇到了一位美国摄影记者，他与敌人分享他的复仇思想。两人从监狱里计划了一个阴谋。
这部纪录片由数名幸存者的故事构成，详细讲述了针对杰弗里·爱泼斯坦的同伙—社交名媛吉丝兰·马克斯韦尔—所犯性贩卖罪行的审判。又名：葛兰·麦斯威尔：上流浊水
传说落魂山谷中闹鬼有僵尸，已有近百人被僵尸吃掉，当地镇上的良民百姓们纷纷逃跑了，外地的杀人犯抢劫犯地痞流氓反而纷纷逃亡聚集到落魂谷。路人经过落魂谷即使是白天也要雇佣当地武馆的保镖护送，武馆人员趁机收取路人高额费用。死亡之界在哪里，是真的鬼魂还是阴谋……
《星际迷航：发现号》宣布续订第3季，并加入Michelle Paradise(《初代吸血鬼》《南国医恋》)，和Alex Kurtzman一起担任运作人。第3季2020年上线。
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