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《空中浩劫》（AirCrashInvestigation）是一个由加拿大的Cineflix公司所制作的纪录片节目。此节目主要介绍1970年代黑盒子发明之后所发生的近代重大航空事故。在第三季时，有三集穿插铁道事故及航海事故。此节目在不同频道播出有不同的英文名称，于加拿大的Discovery频道播出时称为“Mayday”，在美国播出时称为“AirEmergency”，而在英国、法国和其他国家播出时称为“AirCrashInvestigation”。《空中浩劫》会以模拟演出的方式，分别以乘客、机师等不同人的视角，从一开始旅客登机、起飞，一直到事故发生、后续善后及调查为止，重现整个过程。在片中会穿插对于乘客及机师的访谈（若有生还者且其愿意受访时），另外也会访问空难调查人员、目击者等。取材以事故调查报告及相关新闻报道为主；若因调查单位不公开报告以致无法取得事故调查报告时，则会征询相关专家的说法以拼凑出全貌。此节目对于飞机外观、空服员制服、机场等制作考究，但也并非100%做到与当时完全一样，偶有不相符之处，如波音737驾驶室变成空中客车A320驾驶室。模拟演出时，会找与当事人相貌近似的的演员参与。
AromancesparksbetweenayoungactorandaHollywoodleadinglady.本片根据PeterTurner所写的同名传记改编，讲述了奥斯卡奖得主、40/50年代“黑色电影”女神之一GloriaGrahame（AnnetteBening饰）的晚年生活。当57岁的GloriaGrahame患上癌症时，一位年轻的演员PeterTurner（JamieBell饰）进入她的生活，照顾这位行将离开人世的女演员，两人也渐生情愫。
一位爱尔兰的中年农民，仍然住在家里与他的母亲同住，当某一天老太太被谋杀之后，他开始了复仇的计划。
消防员从一家被大火烧毁的“虚拟空间工厂”的废墟里救出了身受重伤的乔布，此时的他处于奄奄一息的状况之下，并且失去了过去的所有记忆，由于过度烧伤，医生还对他进行了整容手术，醒来后的乔布已经完全失去了从前的面貌但沃克带领的正从事虚拟空间研究的“虚拟空间研究所”却已经暗中盯上了乔布，他们对乔布进行了虚拟现实实验，以此来帮助他重建了思想，最终借助他的力量来实现不可告人的目的。 时间来到未来的洛杉矶。彼得和特拉维斯、哈维、肖恩等几个小伙伴住在城市地下的隧道里，过着流浪的生活，几个人都酷爱网络虚拟游戏，在一次进入虚拟空间时，彼得竟然遇到了乔布，两人相见甚欢，乔布告诉彼得自己被困在了虚拟空间，而网络虚拟空间即将毁灭，他也会随之消失，只有一个叫本杰明?特雷斯的人能够救他，恳求彼得帮他找到特雷斯并将他带到虚拟空间里。彼得一口答应，但找到特雷斯后却发现那是个十足的怪人，他隐居在人迹罕至的戈壁，对陌生的彼得并不友好。直到彼得提到奇容芯片的事，他才答应前往
经过了两年的共同生活，如今斯图亚特和乔治一家过得融洽和睦，斯图亚特还是一如既往的聪明精灵，然而内心却为了一件事有点不安——乔治母亲添了小女儿，他们对这个千金宠爱有加，几乎花掉全部时间精力。而乔治功课也日渐繁忙，陪伴斯图亚特的时间也少了。斯图亚特有点落寞，直到它遇上了鸽子玛格罗。
故事，是在金矿局顺利进展之时展开，热火朝天的繁忙景象，带来了喜悦，也带来了地方势力的嫉妒。将军府恭堂手下胡子出身的德英借剿匪之意，以查办流民之名，扰乱漠河金矿局工作的进行，私下里欺压矿工，搜刮民商，酷刑逼供。一心想从李金镛手上夺取金矿的德英，设计陷害并试图杀害李金镛，杀机暗藏。在对抗中，几经波折，德英横行霸道，欺压行恶，在揭露罪恶之时，逃之夭夭。李金镛带人在墨尔根将其追捕并关押在刘知县牢房，事后准备前往将军府与恭堂大人见面，并说明此事。未料到墨尔根县衙的刘知县胆小怕事，在李金镛前往之前将德英及手下王麻子放走，导致李金镛在将军府被恶人先告状并将其抓入大牢。在危急时刻，李金镛手下宋友梅在李金庸抓德英前安排到中堂大人那述说此事并带手谕为李金镛等解围，将案子返回正义。王麻子被恭堂大人做了德英的替罪羊，处死在将军府，德英回去又重操旧业，做回胡子。不甘心的德英带匪徒袭击李金镛，不巧被内疚的刘知县带人解救，最后德英丧身悬崖。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
讲述年少时期因为令人伤痛的恶缘而分离的两个男女，在长大后以目中无人的超级甲方topstar和卑躬屈膝又势力的超级乙方纪录片导演再次相遇后刻薄又凄美的爱情故事。 剧中，金宇彬变身俘虏女星芳心的知名歌手，而秀智饰演纪录片的知名制作人，两人儿时结下不解之缘，至长大后再重逢。
衣冠楚楚的律师苏东（周一围 饰）一向在法庭上挥斥方遒，口若悬河，风光无限，谁知职场与生活的品质全然不对等，女友（杨婷婷 饰）被童年好友谭加一（张天其 饰）撬走，还要屁颠屁颠地帮对方打离婚官司，更遭遇了平生最难缠的对手女律师朱言（朱丹 饰）。遭受前所未有重创的苏东一度不愿碰触离婚官司，虽然在同行全敏敏（黄小蕾 饰）的支持下重新走入法庭，可是也因接下来的一系列事件看破了职场许许多多的虚伪狡诈，他和敏敏先后离开了恩师贝老经营的四城律师事务所。 繁华都市的霓虹灯下，多少家庭分分合合，喜怒哀乐周而复始，苏东与离婚官司结上渊源，纠缠不断……
《秋寒江南》的故事在四平镖局的一次极为重要的走镖中展开，一位默默无闻的下等镖师时非我一剑挑四皓证明了自己的实力，并答应帮四平镖局局主司空平运送宝物神龙令。不料护镖途中险象环生，各路杀手接连登场，时非我生死未卜。而司空平竟带领镖局众人围困盲女浅浅爷孙俩，意欲用浅浅的性命逼时非我现身交出神龙令。听闻有宝物将要现身，一时间江湖众人皆围聚此地，却因各怀鬼胎而躁动不安。只有盲女浅浅在面对江湖众人利欲熏心的逼迫时仍淡定地等待着心上人的归来。
彼得刚出狱回到家乡，自觉好日子又开始了。他在姊姊的洗衣店见到正在生产的玛雅。冀望靠一个孩子留住生命中某些东西的姊姊，买下玛雅生的男婴。狂野不羁的玛雅和彼得周遭的人都牵扯不清，彼得跟她终日斯混，也深深被她吸引。等到玛雅想要回儿子，彼得发现自己卡在她和姊姊之间左右为难，觉得美好时光彷佛已逐渐消失。