为了应对东京日益严重的犯罪，政府选出100名善良的民众担当市民警察，他们可以对任何罪犯就地正法。该政策推行以来，虽然犯罪受到一定程度的遏制，但是市民警察本身也受到民众的指摘，各种反抗行动接连出现，甚至有市民警察在行动中遇害。人过中年的芳一彦治郎（酒井敏也饰）是编号为69的市民警察，身为快递员的芳一事业无成，老婆女儿也对他视而不见。作为市民警察的芳一也不过是含混度日，只求太平。直到他的压力逼近极限，才发现持枪执法是多么刺激爽快的事情。与此同时，芳一结识了清纯的便利店女孩小桃（早見あかり饰）。为了博得女孩的欢心，他想方设法取得更多的钱……本片根据柳沢きみお的原著漫画改编。
派克（威廉·霍尔登WilliamHolden饰）是个失败的强盗，他和他的同伙们不仅在抢劫银行上栽了跟头，自己还遭到了赏金猎手桑顿（罗伯特·瑞安RobertRyan饰）的追杀，好在有印第安青年安琪（杰米·桑切兹JaimeSánchez饰）出手相助，才得以脱险。跟随着安琪，派克一行人来到了墨西哥边界，在那里，驻扎着个性凶残暴躁的军阀玛帕奇（费南德斯·埃米里奥EmilioFernández饰）及其同党，而玛帕奇和安琪之间，有着一段充满了仇恨和鲜血的不堪往事。为了能够通过玛帕奇的地盘，交出安琪成为了唯一也是无奈的选择。派克打算带领弟兄们救回安琪，不幸的是为时已晚，安琪已经被杀害。在悲愤交加的派克和玛帕奇之间，一场恶战即将拉开帷幕。
加长为13集的当今美国最高收视西部题材影集之一、艾美奖获奖作品《地狱之轮》第四季将于北京时间8月3日回归，今年将采取特别编排模式：由8月3日至10月5日播出第一部分，随后让位于AMC电影栏目《AMC尖叫之夜》（AMCFearFest），至11月9日回归播出剩余三集的第二部分。更换了制作人、调整了主线、移至竞争不甚激烈的周六档后，《地狱之轮》第三季收视和媒体评价明显好转：第三季的单集直播+三日回放平均收视为330万人，较第二季（240万）上涨37.5%，较第一季（300万）上涨10%，同时帮助AMC周六黄金档收视提升97%，全天收视提升152%。第三季《地狱之轮》是该剧收视最高的一季，亦是Metacritic和AVclub上媒体与编辑评价最高的一季，成为AMC继四届艾美奖最佳影集《广告狂人》、艾美奖最佳影集《绝命毒师》、艾美奖获奖作品《行尸走肉》和艾美奖提名影集《谋杀》后第五部媒体评分高于70分的作品，亦是继《谋杀》后AMC首部13集预定的作品。《地狱之轮》第三季的结尾，CullenBohannon（AnsonMount饰）迎娶了怀上自己骨肉的Naomi，并定居在了妻子的摩门教家庭中。在Bohannon居住的这块摩门教要塞地，奇迹般生还下来的瑞典佬（ChristopherHeyerdahl饰）继续假扮教会领袖；Thomas“Doc”Durant(ColmMeaney饰)回归继续担任联合太平洋铁路公司负责人，并已经将他们的铁路终点向西推进到夏延山；Elam(Common饰演)在寻找失散的Cullen途中遭到灰熊的伏击身负重伤。第四季中，现代文明跟随着铁路修筑的脚步继续向西进发，随之而去的心怀不轨的人不仅仅是过去舞刀弄剑的杀手，还有执笔的报社记者。剧集的焦点仍会汇集在政府、铁路公司、牧场主与农场主之间围绕着“大平原风水宝地”夏延山与全美最重要的铁路运输中心的利益争夺。第四季同时亦会有多名新角色加入，包括JohnCampbell(JakeWeber饰，曾出演《灵媒缉凶》、《杀手信徒》)。《地狱之轮》由曾监制《陨落星辰》、《终结者外传》和《暗侠》的JohnWirth制作，MarkRichard、JeremyGold、PaulKurta联合制作。AMC将仿效《地狱之轮》第三季提振收视的做法为该剧第四季继续安排周六一整天的西部电影做前导，包括《马语者》、《绝命终结者》、《猛虎过山》和外购迷你剧《月满荒原》。
2008年7月WaT的小池彻平主演了富士电视台电视剧中扮演童颜刑警, 2009年2月2日举行了此部电视剧《少年刑警》DVD发售纪念活动，并公布今春将播放电视剧的特别版。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
12岁的腊肠犬“江米条”在帮主人方一一挽留爱情时挺身而出，却意外离世来到汪星世界，在这里要做的第一件事就是忘却前尘，这就意味着他将不再记起和方一一的点点滴滴，也许记忆可以重置，但爱着方一一的本能经年难忘，江米条奋力反抗冲破阻拦，历经艰险重返人间，穿越茫茫人海，用另一种方式陪伴在方一一身边，在生命的最后一刻，倾尽全力护她周全，用两生两世的温柔全心全意地守护他最爱的方一一。
阿聪（莫少聪 饰）嗜赌如命，阿明（吴毅将 饰）擅长催眠，阿勇（容锦晶 饰）情深意重，三人位警署保护证人组的探员，彼此之间结识多年，相互信任，关系十分之要好。某日，警方逮捕了黑社会老大吴天坤的秘书佩丹（彭丹 饰），为了自保，佩丹同意做警方的污点证人，指控吴天坤的罪行。 得知自己处境危险，吴天坤派出了精干的杀手（徐锦江 饰）前来杀人灭口，于是，警方见招拆招，将阿聪、阿明和阿勇三人派到了彭丹的身边，成为了她的贴身保镖。外忧内患之中，他们能否顺利完成任务？在彭丹的指控之下，警方又是否能够成功地位狡猾的吴天坤定罪呢？
这部系列纪录片直击911恐怖袭击事件，探讨了基地组织在20世纪80年代的兴起，以及美国在国内外采取的强硬回应措施等问题。
因为一次跳伞事故，白人富翁菲利普Philippe（弗朗索瓦·克鲁塞 François Cluzet 饰）瘫痪在床，欲招聘一名全职陪护。由于薪酬高，应聘者云集，个个舌灿莲花，却无法打动他的心。直到黑人德希斯Driss（奥玛·赛 Omar Sy 饰）的出现才让他作出决定。德希斯刚从监狱出来，背负家庭重担，一心只想寻张辞退信以申领救济金，而且他明显对女助理的兴趣要远大于这份工作。但是菲利普还是一眼相中了这个小伙子。于是，德希斯开始了一个月的试用期。虽然舒适的豪宅环境让他倍感虚荣，但是他仍面临很多挑战：不仅要为菲利普作身体复健，还得给他洗浴、灌肠、拆信、穿丝袜等。起初，两人的思维方式与价值观大相径庭，但是，随着了解的不断深入，他们成为了朋友……
纪录片追踪记录了劲旅纳瓦罗学院啦啦队在争夺梦寐以求的全国冠军的道路上所遭遇的起起伏伏。
无限的冒险，如今拉开序幕—— 根据每位玩家的不同行为以及性格，游戏习惯等进化为具备独特能力的系统。装载了如此极具梦想的系统，全方位体感VRMMO，在面世一瞬间便引发舆论狂潮席卷全世界。ysgou.cc结束大学入学考试后在东京开始独居生活的椋鸟玲二，在兄长的邀请下，开始了其波澜万丈的冒险之旅——